While taking the stage at Gillian’s Inn – a bar, restaurant and performance space in northern São Paulo, Brazil – the band Arandu Arakuaa compels the crowd into a moment of silence, unusual during a heavy metal show. Soft notes from the guitar, drums, contrabass and maracas, played by four men in the dress and facepaint of indigenous Brazilians, places the audience under a spell. A few seconds later, a petite female singer, her face painted like the others, joins the musicians. She shouts, breaking the spell, and as she begins singing, the crowd starts to jump around, bouncing their heads to the hard-hitting music that’s also kicked into gear.
The band combines traditional metal sounds with indigenous Brazilian stylings executed on flutes, foot rattles, and other instruments. The two singers present lyrics completely in Tupi Guarani, an ancient language spoken by tribes throughout Brazil and other South American lands. Arandu Arakuaa, whose name translates in Tupi Guarani – or just “Tupi” for short – to “wisdom of the cosmos,” is the only contemporary band to sing in that language, and their colorful lyrics are about indigenous legends, rights, and the struggles facing native Brazilian tribes today. Some call Arandu Arakuaa the first “folk-metal” band in the history of Brazil.
“It’s something new and is the most original thing I’ve heard in years,” says one audience member, Marcos Simão. “Who could ever imagine that two things that seem so different as heavy metal and indigenous culture, would result in something so cool?”
The person who dared to imagine that combination is Zhândio Aquino, the group’s founder, second vocalist and lyricist. Aquino descended from a Tupi-speaking tribe in the northern Brazil state of Tocantins, where he lived until he was 24 years old. “I had a very close contact with indigenous culture because of my grandmother and classmates,” Aquino says. “When I [began] playing in bands, it just felt natural to put my background on it.” Now 37, Aquino’s first experience with music came from the tribes and quilombos – villages populated by descendants of slaves who ran away from the farms they worked on in the 19th century. His love for heavy metal began when he was a teenager, when he emulated the genre’s brutally honest, expressive artists.
When Aquino moved to Brasília, the national capital, in 2004, he performed in a few amateur bands and people always observed that his music had an indigenous touch. “It was not always said as a compliment,” Aquino quips, “and I faced some resistance from some people at first.”
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